Deus, qui inter summos sacerdótes fámulum tuum Benedictum ineffábili tua dispositióne connumerári voluisti: praesta, quáesumus; ut, qui Unigéniti Filii tui vices in terris gerébat, sanctórum tuórum Pontíficum consortio perpétuo aggregétur. Per eundem Christum, Dóminum nostrum. Amen.
God, Who in Thy ineffable providence, did will that Thy servant Benedict should be numbered among the high priests, grant, we beseech Thee, that he, who on earth held the place of Thine Only-begotten Son, may be joined forevermore to the fellowship of Thy holy pontiffs. Through the same Christ, Our Lord. Amen.Saturday, December 31, 2022
Pope Benedict XVI, RIP
Richard ChonakFriday, December 30, 2022
A Traditional Italian Manger Scene at the FSSP Parish in Rome
Richard ChonakAlthough the invention of the creche is attributed to an Umbrian, St Francis of Assisi, the city of Naples can truly boast of having developed it into a particular art form, with the creation of a highly theatrical Baroque style admired and imitated up and down the peninsula. The Neapolitan tradition began with St Cajetan, the founder of the Theatine Order. One of his favorite places to pray in Rome was the basilica of St Mary Major, specifically, the chapel where the relics of Christ’s crib were kept. At the end of the 13th century, the sculptor Arnolfo di Cambio had carved for this chapel a large Nativity set, several pieces of which survive to this day. While praying there one year on Christmas Eve, St Cajetan had a vision of the Virgin Mary, who handed him the Baby Jesus to hold. When he came to Naples in 1534, he set up a Nativity scene in the church of a major public hospital, in imitation of the Roman one; this was then picked up by many other churches, as well as private families. It was also in Naples that the tradition began of dismantling the creche after the Christmas season ended, so that it could be reassembled, perhaps in a different way, the following year; previous ones like di Cambio’s, the figures of which were all stone, were permanent fixtures.
As the tradition developed and spread throughout Italy and elsewhere, it became a kind of competition (a friendly one, we hope) to enrich the scene with an ever larger number of human figures, and make them continually bigger with the addition of whole buildings, streets, piazzas etc. The persons and scenes shown are for the most part ordinary folks going about their ordinary lives, a theological declaration that the sanctifying grace of Christ, which begins to come to us in the Incarnation, is available to all in whatever station of life they find themselves. Very frequently, the Holy Family are shown within a ruined temple, or some other ancient Roman building, representing the world which suffers from the ruin of sin, and longs for renewal in the coming of the Savior.This year, Santissima Trinità dei Pellegrini, the Fraternity of St Peter’s parish in Rome, set up a new Nativity scene in the finest Neapolitan tradition, with many of the sections made to look like the streets of the neighborhood, and as you can see below, even includes a scene with the church’s founder, St Philip Neri. The figures are clothed in a manner more in keeping with the traditions of Rome and environs, as seen, for example, in the flat headdresses of the women, and the costumes of the shepherds. The first twelve photos were taken on Christmas night before the Midnight Mass; some photos with brighter light are seen below.
Durandus on the Sunday within the Octave of Christmas
Richard ChonakSince Christmas fell on a Sunday this year, the Mass and Office of the Sunday within the octave of Christmas are transferred to December 30th. Here is William Durandus’ commentary on the Mass, the 14th chapter of book six book of his Rationale Divinorum Officium.
On the Sunday which falls within the octave of the Lord’s birth, the Mass is sung of the Nativity; whence the Introit is “Dum medium silentium tenerent omnia.”
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| The Presentation of Christ in the Temple, 1620, by the Flemish painter Cornelis de Vos. Public domain image from Wikimedia Commons. |
Thursday, December 29, 2022
Rorate Mass Photopost 2022 (Part 6)
Richard ChonakBefore we move on to photos of your Christmas liturgies, here is one last set of Rorate Masses, a record-breaking sixth post in this annual series. This brings us to over 270 photos, from churches in 19 American states and 11 other countries, with several duplicates (three Canadian provinces, three locations in England etc.) We can all add to our other reasons for Christmas cheer the knowledge that the slow but steady work of recovering our Catholic liturgical tradition continues!
We must also remember to pray for our beloved Pope Emeritus Benedictus XVI, to whose incomparable pastoral wisdom and good example this recovery is due in no small measure.






























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