Tuesday, October 1, 2024

Conference on Blessed Karl of Austria and Premiere of Mass Composed by Paul Jernberg - Washington DC, October 18 - 20

Here is a reminder and more information on what promises to be a fantastic occasion in DC later this month.

Paul Jernberg, who founded the Magnificat Institute, is the composer of the music for the Mass for Blessed Karl that will premiere at this conference, told me: 
The idea for this new composition, and for this conference, began with my "coincidental" meeting with the great-grandson of Blessed Karl (aka Charles 1 of Austria - the last emperor of the Austro-Hungarian Empire) a couple of years ago. The more I read about him and his wife, Zita, the more I was inspired by their radiant model of great leadership - characterized not by the desire for power but by the pursuit of wisdom and a faithful, self-sacrificial love for his people.

For lots more information and registration, visit magnificatinstitute.org/dc-conference





Tuesday, September 3, 2024

A Meditation on Fra Angelico's Mocking of Christ by Brother John Paul Puschautz O.P.

This is the second of two posts featuring meditations on frescoes painted by Fra Angelico on the walls of the cells at San Marco monastery in Fiesole, near Florence, by Br John Paul Puschautz, a Dominican of the Western Province in the US. Last time, we featured his meditation on the Annunciation. This week it is the Mocking of Christ

John Paul has just completed his STL, and his thesis title was "Visio Divina with the Art of Fra Angelico as Mental Pilgrimage: A Way of Beauty and Perfection." It is a scholarly development of a method of prayer analogous to lectio divina that uses sacred art for meditation rather than scriptural passages.

As I mentioned last time,  contact Br John Paul through opwest.org if you want to publish his thesis. If it was published as a book I would buy it and promote it. 





Tuesday, August 27, 2024

Sir James MacMillan on Creativity and Sacred Music: From the Ashes of Modernism to Cultural Renewal

Two video interviews and an article about his philosophy of sacred music, recently published in the National Catholic Register.

I am delighted to share with you two hours of interviews with Sir James MacMillan, master composer and conductor, about how creating beautiful music can save culture from the ashes of modernism. One is by myself and the other by Margarita Mooney Clayton. Aside from being one of the greatest living composers and conductors of classical music, Sir James is a Catholic whose faith informs all his work. As you will see he is a deep thinker who communicates clearly the nature of the creative process when one seeks to create beauty to bring Glory to God.

Further, the reflections of my wife, Margarita Mooney Clayton on music and silence in the light of these interviews were published, recently in The National Catholic Register!

In June 2024, Margarita and I each sat down with MacMillan in the studios of Princeton Theological Seminary. He was leading master classes for composers of choral music in an event jointly sponsored by Peter Carter’s Catholic Sacred Music Project and the Scala Foundation, whose mission is to make authentic beauty accessible to wide audiences, a cause that MacMillan shares. Another major sponsor was the Benedict XVI Institute.

Here is my interview:

And, here is Margarita's:

In addition to the two full-length interviews, we are delighted to share clips from each of the interviews on these topics:

MacMillan's statement that  “the war against silence is a war against ourselves and against our interior life” rang true because I see many turning to thoughtless political activism to fill their interior void.

Finally, some music! Here is a beautiful performance, in the presence of the composer, of Sir James's Give Me Justice in the chapel of Princeton Theological Seminary at the event. The conductor is Tim McDonnell of the Catholic Sacred Music Project:






Tuesday, August 20, 2024

A Meditation on Fra Angelico's Annunciation by Brother John Paul Puschautz O.P.

This is the first of two posts featuring meditations on frescoes painted by Fra Angelico on the walls of the cells at San Marco monastery in Fiesole, near Florence, by Br John Paul Puschautz, who is a Dominican of the Western Province in the US.

The first is the Annunciation. John Paul has just completed his STL, and his thesis title was "Visio Divina with the Art of Fra Angelico as Mental Pilgrimage: A Way of Beauty and Perfection." It is a scholarly development of a method of prayer analogous to lectio divina that uses sacred art for meditation rather than scriptural passages.

I don't know if any book publishers are reading this, but it strikes me that his thesis would be excellent material for a book. Certainly, I would buy it and promote it if it was published! You can contact him through opwest.org.


Thank you, Br Pushautz, I learned a lot from your presentation. 



Friday, August 16, 2024

The Legend of St Joachim in Giotto’s Scrovegni Chapel

In the year 1303, a Paduan money-lender named Enrico Scrovegni commissioned the painter Giotto to cover the whole interior of his family’s chapel with frescoes. The program, which required two years of work to complete, contains almost forty scenes of the Lives of Christ and the Virgin Mary, plus a large Last Judgment on the back wall, a series of monochromes of the Virtues and Vices, and a blue vault with stars. The cycle also includes the traditional account of the Virgin’s conception as given in the Protoevangelium of St James, an apocryphal Gospel of the mid-2nd century which is the first source for the names of Her parents, Joachim, whose feast is kept today, and Anne, whose feast is on July 26th. Here I have abbreviated the text, which is taken from the first five chapters, and slightly modified the translation.

In the histories of the twelve tribes of Israel was Joachim, a man rich exceedingly; and he brought his offerings double, saying, “All the people shall have of my superabundance, and there shall be the offering to the Lord for forgiveness as a propitiation for me.” For the great day of the Lord was at hand, and the sons of Israel were bringing their offerings. And there stood over against him Rubim, saying, “It is not meet for you to bring your offerings first, because you have not made an offspring in Israel.” ...

The Expulsion of Joachim from the Temple
And Joachim was exceedingly grieved, and did not come into the presence of his wife; but he retired to the desert, and there pitched his tent, and fasted forty days and forty nights, saying to himself, “I will not go down either for food or for drink until the Lord my God shall look upon me, and prayer shall be my food and drink.”

Joachim Among the Shepherds in the Desert
And his wife Anna mourned in two mournings, and lamented in two lamentations, saying: I shall bewail my widowhood; I shall bewail my childlessness. ... And she saw a laurel, and sat under it, and prayed to the Lord, saying, “O God of our fathers, bless me and hear my prayer, as You blessed the womb of Sarah, and gave her a son Isaac.” ... And, behold, an angel of the Lord stood by, saying, “Anna, Anna, the Lord has heard your prayer, and you shall conceive, and shall bring forth; and your seed shall be spoken of in all the world.” And Anna said, “As the Lord my God lives, if I beget either male or female, I will bring it as a gift to the Lord my God; and it shall minister to Him in holy things all the days of its life.”

The Annunciation to Anne
And, behold, two angels came, saying to her, “Behold, Joachim your husband is coming with his flocks.” For an angel of the Lord went down to him, saying, “Joachim, Joachim, the Lord God has heard your prayer. Go down hence; for, behold, your wife Anna shall conceive.”

The Dream of Joachim. (The Protoevangelium does not explicitly state that it was in a dream that the Angel spoke to him, as recounted above.)
And Joachim went down and called his shepherds, saying, “Bring me hither ten she-lambs without spot or blemish, and they shall be for the Lord my God; and bring me twelve tender calves, and they shall be for the priests and the elders; and a hundred goats for all the people.” And, behold, Joachim came with his flocks; and Anna stood by the gate, and saw Joachim coming, and she ran and hung upon his neck, saying, “Now I know that the Lord God has blessed me exceedingly; for, behold the widow no longer a widow, and I the childless shall conceive.” And Joachim rested the first day in his house.

The Meeting of Ss Joachim and Anne at the Golden Gate
And on the following day he brought his offerings, saying in himself, “If the Lord God has been rendered gracious to me, the plate on the priest’s forehead will make it manifest to me.” And Joachim brought his offerings, and observed attentively the priest’s plate when he went up to the altar of the Lord, and he saw no sin in himself. And Joachim said, “Now I know that the Lord has been gracious unto me, and has remitted all my sins.” And he went down from the temple of the Lord justified, and departed to his own house.

Joachim’s Offering
And her months were fulfilled, and in the ninth month Anna gave birth. And she said to the midwife, “What have I brought forth?” And she said, “A girl.” And Anna said, “My soul has been magnified this day.” ... And the days having been fulfilled, Anna was purified, and gave the breast to the child, and called her name Mary.

The Birth of the Virgin Mary

Glorying in God’s Glory: The Gloria in Excelsis (Part 4)

C.S. Lewis
Lost in Translation #102

The Gloria in excelsis, on which we have been meditating (here, here, and here), is sometimes contrasted with the Te Deum, since every time the former is said or sung at Mass the latter is said or sung in the Divine Office. But one difference between the two hymns is that the much shorter Greater Doxology places a greater emphasis on divine glory than its longer cousin. Whereas the Te Deum mentions glory twice (once in reference to God and once in reference to ourselves), the Gloria in excelsis uses “glory” or “glorify” four times:

  1. Gloria in excelsis Deo (Glory to God in the highest)
  2. Glorificámus te (We glorify Thee)
  3. Gratias ágimus tibi propter magnam gloriam tuam (We thank Thee on account of Thy great glory)
  4. Tu solus Altíssimus, Jesu Christe, cum Sancto Spíritu in gloria Dei Patris (Thou alone, O Jesus Christ, art most high, with the Holy Ghost in the glory of God the Father)
Let us look at each in turn.
“Glory to God in the Highest”
As we noted earlier, Gloria in excelsis Deo can either mean that all glory belongs to God or that all glory should go to God. Either way, the divine has a special purchase on glory. In the Old Testament, the “glory of the LORD” (kavod YHWH) was a palpable presence in places such as Mount Sinai, the Tabernacle, and the Temple. It could also be terrifying, as when the glory of the Lord appeared as a burning fire atop Mount Sinai. The Hebrew noun kavod is derived from the word for “weight” and is etymologically related to “armament.” Kavod has genuine heft, worth, and value, which is why it naturally elicits praise. But as the sight of the Lord’s glory on Mount Sinai attests, it is also associated with brightness or light. In liturgical Latin (especially the Roman orations), kavod in general is translated as gloria while the luminous aspect of glory is translated as claritas. [1]
Kavod YHWH on Mount Sinai
“We Glorify Thee”
According to the Gloria in excelsis, we glorify God. And yet if all glory is already His, how is it possible for us to give Him any more? On the other hand, the human glorification of God lies at the very heart of the Mass, for as St. Thomas Aquinas teaches, “The end of divine worship is that man may give glory to God and submit to Him in mind and body.” [2] Moreover, in addition to describing divine glory, the Bible speaks of Israel, do-gooders, and even the sun, the moon, the stars, and a woman’s head of hair as possessing some glory. [3]
For St. Basil the Great, “glory is nothing other than the recounting of the wonders that belong” to someone or something. [4] Creatures do this naturally and without words; sunlight, for example, is “the glory of the sun.” [5] Rational creatures, on the other hand, glorify God by choice. The only way that humans glorify the Father, Son, and Holy Spirit is by “expounding their wonders as best we can.” [6] And yet paradoxically, there is a way in which even this “exposition” is a gift from God, a participation in or sharing of divine glory. “He that glorieth, let him glory in the Lord,” St. Paul writes. “For not he who commendeth himself is approved, but he whom God commendeth.” [7]
“We thank Thee on Account of Thy Great Glory”
St. Paul’s statement may also shed light on the next verse of the Angelic Hymn. I find it rather curious that of all the things for which to thank God, His “great glory” is singled out, as opposed to His creating us, blessing us, or redeeming us.
Perhaps the reason is twofold. First, God’s glory is a triumph for us that fills us with joy. When my favorite team wins the championship, I give glory to them, but I also feel elevated and better off as a result. Indeed, insofar as I am a loyal fan, I share some of their glory, which is why I proudly festoon myself or my front yard or my pickup with their team colors and images of their mascots.
And I feel this way even if my team doesn’t know me from Adam: they don’t know that I scream at the TV when the ref makes a bad call; they don’t know that I defend their honor at sports bars; they don’t even know that I exist. But imagine—and this brings us to the second reason—if your favorite team not only knew of you, but loved you singularly, and that when they scored the winning point they looked for you in the stands and, when they found you, blew you a kiss and victoriously pumped a fist in the air. Such is the way that Christians feel about their God, for the Father gave the Son glory and the Son shared that glory with His adopted sons through the Holy Spirit. [8] When God approves of us, Saint Paul writes, He commends us; He compliments us, He congratulates us.
In a magnificent essay entitled “The Weight of Glory,” C.S. Lewis describes the promise of our glorification at the end of time as “almost incredible” because it implies that God actually likes us, that despite our sins He will not simply tolerate our presence but deliriously approve of us: 
The promise of glory is the promise, almost incredible and only possible by the work of Christ, that some of us, that any of us who really chooses, shall actually survive that examination, shall find approval, shall please God. To please God...to be a real ingredient in the divine happiness...to be loved by God, not merely pitied, but delighted in as an artist delights in his work or a father in a son—it seems impossible, a weight or burden of glory which our thoughts can hardly sustain. But so it is.
Yes, we are certainly grateful for God’s great glory.
Or, at least we used to be. I wonder if there is a certain contemporary prejudice against the concept of glory; perhaps it strikes the modern ear as outdated or jingoistic or even fascist. This prejudice does not exist worldwide. In modern Hebrew, “Good fortune!” (Mazel Tov) is said in response to good events and “All the glory!” (Kol HaKavod) in response to good deeds. When a baby is born, Israelis say Mazel Tov; but when someone knits a baby an adorable pair of mittens, they say Kol HaKavod.
The original ICEL translation of the Mass seems to have had an allergy to glory. It omitted “we glorify Thee” altogether, and it deleted “great” from “on account of Thy great glory.” (It also inexplicably replaced “we give Thee thanks” with “we praise Thee.”) Fortunately, the 2011 translation corrected these errors. That said, the 1970 Missal mentions glory far less than does the historical Roman Mass: the Gloria in excelsis is not used so often, and all the Lesser Doxologies (the Gloria Patri) were removed.
“In the Glory of God the Father”
Jesus Christ and the Holy Spirit, we declare, are in the glory of God the Father. By making this confession the final verse, the Angelic hymn begins and ends with the glory of God the Father. It also tightly summarizes one of the great themes of the Gospel according to Saint John: the glorification that takes place within the Holy Trinity. Jesus Christ’s entire mission on earth is to glorify the Father by establishing a Church, and the Father in turn glorifies the Son. And it does not take much brainpower to conclude that the Holy Spirit glorifies both and is glorified by both.
St. Basil the Great
Or perhaps it does. St. Basil battled a group of heretics called the Pneumatomachians or “Spirit-fighters” who argued that glory should not be given to the Holy Spirit on the grounds that He was not a Divine Person. Basil easily refuted their argument by noting all the places in the Scriptures that creatures are given glory and then asking them:
While so many are being glorified, do you wish the Spirit alone to be without glory? “The dispensation of the Spirit,” Scripture says, “comes in glory.” How, then, is He unworthy of being glorified? According to the Psalmist, great is the glory of the just, but according to you, the glory of the Spirit is nothing. How, then, is there not an evident danger that from such words they bring inevitable sins from themselves? If the man who is saved by works of righteousness glorifies even those who fear the Lord, he would not defraud the Spirit of the glory that is owed to Him. [9]
The Gloria in excelsis is one of the ways that we do not defraud the Spirit of the glory that is owed Him.
Music
The Greater Doxology, then, exults in God’s great glory. But this theme is vulnerable to the musical setting that accompanies it. The right settings, such as the chants from the Liber Usualis or the works of many classical composers, reinforce and enhance the hymn’s meaning while other compositions, especially those of a more recent vintage, undermine or subvert it.
My argument is this. Whether it is the kavod YHWH that God alone possesses or the “weight of glory” that Christian disciples bear, glory is “heavy”—it may be a cause of joy, but it always has gravitas. Therefore, any music that lacks gravitas should not be used with a hymn about glory. Robert Cardinal Sarah has speculated that “the massive loss of enthusiasm for attendance at the Sunday Mass” can in part be attributed to celebrations that are “wholly cheerful in spirit.” [10] I am inclined to agree with His Eminence, but even if he is not right, we can still safely say that a musical setting for the Gloria that is wholly cheerful in spirit—e.g., it is cheesy or sentimental or perfect for an upbeat liturgical dance—is missing the point. Using sappy music to illuminate the LORD’s kavod is like having a Dixieland jazz band perform Puccini’s “Vincerò” with lots of comical glissandos from the slide trombone. Man can find a better way to glorify God.

Notes
[1] Sr. Mary Pierre Ellebracht, Remarks on the Vocabulary of the Ancient Orations in the Missale Romanum (Nijmegen: Dekker & Van de Vegt, 1963), 24.
[2] Finis autem divini cultus est ut homo Deo det gloriam, et ei se subiiciat mente et corpore. ST II-II.93.respondeo.
[3] See Rom. 9, 4; Rom. 2, 10; 1 Cor. 15, 4; 1 Cor. 11, 7
[4] On the Holy Spirit, trans. Stephen Hildebrand (St. Vladimir’s Seminary Press, 2011), 23.54.
[5] On the Holy Spirit 18.46
[6] On the Holy Spirit 23.54.
[7] 2 Cor. 10, 17-18.
[8] See John 17, 22; 2 Cor. 3, 18.
[9] On the Holy Spirit 24.55.
[10] Foreword of Abbé Claude Barthe, Forest of Symbols: The Traditional Mass and Its Meaning, trans. David J. Critchley (Angelico Press, 2023), xv.

Thursday, August 15, 2024

A Particularly Beautiful Altar Missal from 1863 (Part 2)

Following up on a post from Tuesday, here are some more photographs of a very beautiful altar missal which is owned by the church of St John Cantius in Chicago, Illinois. It was printed by the Pustet firm, based in Regensburg, Germany, in 1863, and is remarkable not only for the very large number of images, but the fact that they are in color. (I own a two-volume lectionary which was part of the same print run, and which has many of the same images, but all in black-and-white.) Several of these pictures appeared on his Substack a few days Tradition and Sanity a few days ago; I thank him for letting us reproduce them here. (There are definitely enough of these to make more than one post.)

These are predominantly taken from the Proper of the Saints, and most of the images are illuminated letters at the beginning of the Introits. They are arranged here in liturgical order, except for the first, which is that of today’s feast of the Assumption. 
The introduction to the proper of the Saints. 
St Andrew the Apostle, November 30
St Thomas the Apostle, December 21
Pope St Marcellus I, January 16
Ss Marius, Martha, Audifax and Abbacum, a group of martyrs celebrated on January 19.
St Agnes, January 21
The Purification, February 2
St Titus, the disciple of St Paul, February 6
St Matthias the Apostle, February 24
The Forty Martyrs, a group of soldiers martyred at Sebaste in Armenia, March 10
St Joseph, March 19
The Annunciation, March 25
The feast of the Seven Sorrows of the Virgin Mary on Passion Friday
Pope St Leo I, April 11
Pope St Anicetus, April 17
St Mark the Evangelist, April 25
Saint Monica, May 4
The Apparition of St Michael, May 8
Ss Peter and Paul, June 29
The Visitation, July 2
St Vincent de Paul, July 19
St James the Apostle, July 25
St Anne, July 26
St Ignatius of Loyola, July 31
The Beheading of St John the Baptist, August 29
The Birth of the Virgin, September 8
The Holy Name of Mary, formerly celebrated on the Sunday within the octave of the Birth of the Virgin, later fixed to September 12.
The vigil of St Andrew, November 29

The Gospel of the Assumption: A Medieval Allegory

Shortly after Pope Pius XII made the formal dogmatic definition of the Assumption in 1950, he promulgated a new Office and Mass for the feast. The Gospel of the new Mass, known from its Introit as Signum Magnum, is St Luke 1, 41-50, the words of Elizabeth, the mother of John the Baptist, to the Virgin at the time of the Visitation, and the first part of the Magnificat. Before the promulgation of this new Mass, the Gospel had been for many centuries that of Mary and Martha, Luke 10, 38-42.

Christ in the House of Mary and Martha, by Henryk Semiradzki, 1886
At that time, Jesus entered into a certain town, and a certain woman named Martha received Him into her house. And she had a sister called Mary, who sitting also at the Lord’s feet, heard his word. But Martha was busy about much serving; who stood and said, “Lord, hast thou no care that my sister hath left me alone to serve? speak to her therefore, that she help me.” And the Lord answering, said to her, “Martha, Martha, thou art full of care, and art troubled about many things, but one thing is necessary. Mary hath chosen the best part, which shall not be taken away from her.”

This Gospel was received, like the feast of the Assumption itself, from the Byzantine tradition, in which it is read on various feasts of the Blessed Virgin, with two verses from the following chapter appended to it, Luke 11, 27-28. In the traditional lectionary of the Roman Rite, these two verses are separated from the previous Gospel, and read on the Vigil of the Assumption.

And it came to pass, as He spoke these things, a certain woman from the crowd, lifting up her voice, said to Him, “Blessed is the womb that bore thee, and the paps that gave thee suck.” But He said, “Yea rather, blessed are they who hear the word of God, and keep it.”

The Church Fathers traditionally explained Mary and Martha as symbols of the contemplative and active life respectively, as is seen already in St Ambrose’s Exposition of the Gospel according to Luke, although he does not use the terms “active” and “contemplative”.

“One of them listened to the Word, the other was busy about serving, and stood and said, ‘Lord, hast thou no care etc.’ Therefore, the one applied herself more to attention, the other to the service of action: nevertheless, there was in both equally zeal for both forms of virtue. For indeed, if Martha did not hear the Word, she would not have undertaken her service, the doing of which indicates her intention; and Mary took such great grace (as she had) from the perfection of both virtues. (1.9)

Nor is Martha rebuked in her good ministry, but Mary is set before her, because she chose for herself the better part; for Jesus abounds in many things, and gives many things. Therefore, she is judged the wiser, because she perceived and chose what is first (or ‘most important’), as indeed the Apostles deemed it was not the best thing to leave the word of God and serve tables (Acts 6, 2). (7.86)”

Ss Ambrose and Augustine, by Fra Filippo Lippi, ca. 1437
This is stated even more clearly by St Augustine, in the homily which was traditionally read in the Office on the feast of the Assumption.

“In these two women are figured two lives, the present and the future, one full of labor, the other restful, one full of trouble, the other blessed, one in time, the other eternal. … Therefore, there remained in that house which received the Lord two lives (represented) in the two women; both innocent, both praiseworthy; one full of labor, the other at rest; neither sinful, neither idle… In that house, there were these two lives, and the fountain of life itself. In Martha was the image of the things that are present, in Mary of those that will be. What Martha was doing, there are we; what Mary was doing, this do we hope for; let us do the former well, that we may have the latter in full.” (Sermon 104, alias 27)

In the middle of the 9th century, Amalarius of Metz, in his treatise On the Offices of the Church, uses the terms “active” and “contemplative” life, although not specifically in reference to the feast of the Assumption, which he does not mention.

“Thus there are in our Church today two kinds of the elect who are baptized. One kind is in the active life, the other in the contemplative, and these two kinds are signified by Martha and her sister Mary. The better part was allotted to Mary by the Lord, but that of Martha was not reproved, for it is good.” (4.27)

By the middle of the 12th century, this tradition is fully well-established. In the Rationale Divinorum Officiorum, John Beleth explains that some Gospels are chosen as historical narrations of the events which the liturgy celebrates, such as that of the Epiphany, while others are chosen as allegories.

“According to an allegory (is) one such as that which is customarily read on the Assumption of the Blessed Mary, concerning Mary Magdalene and her sister Martha ... since in Mary is signified the contemplative life, and through Martha, who was serving (the Lord), the active life. By this Gospel it is taught that in the Blessed Virgin Mary was the perfection of both lives...” (29 de Evangelio)

Commenting on the feast itself, he writes: “That fact that a Gospel (of the allegorical sort) is read, indicates that both lives, the contemplative and the active, were in the Virgin Mary. For she was Magdalene, that is, the one who was taken up with the contemplative life. She was Martha, that is, the one who was wholly occupied with the active life ... For these words declare sufficiently that She was constantly taken up with the contemplative life, ‘But Mary kept all these words in her heart. (Luke 2, 52)’ ” (146 de Assumptione)

The Dormition and Assumption of the Virgin Mary, by Don Silvestro dei Gherarducci; from the Gradual of Santa Maria degli Angeli, ca. 1370, now in the British Library.
At the end of the same century, Sicard of Cremona adds an allegorical explanation of the “town” which the Gospel mentions as the place where Mary and Martha lived, since the Latin word for it, “castellum”, also means “a little castle.”

“In the Mass is read the Gospel of Martha and Mary Magdalene, according to an allegory; for the blessed Virgin was the little castle, because She secured herself well against the devil. She was Martha, for there was none better in action; she was Mary, for there was none better in contemplation, of which it is said, ‘But Mary kept all these words in her heart.’ ” (Mitrale 9. 40)

William Durandus’ commentary on the liturgy, also called Rationale Divinorum Officiorum, stands in relation to the earlier commentaries as St Thomas’ Summa theologica does to earlier Summae, bringing together all of the threads of the tradition with great thoroughness and clarity. He writes thus on the traditional Gospel of the Assumption.

“The Gospel is read about Martha and Mary, which at first sight appears to have no relevance, and yet it is indeed relevant, according to an allegory. For Jesus entered into a certain ‘small castle’, that is, into the Virgin Mary, who is called a castle since She is terrible to demons, and armed Herself well against the devil and against vices. But She is called ‘a small castle’ in the diminutive (castellum) because of her humility, and because of Her unique condition, since ‘neither before nor henceforth hath there been or shall be another such as Her.’ (quoting the 2nd antiphon of Lauds on Christmas day.) And Martha, that is, the active life, received Him. For She most diligently reared Her Child, and brought him into Egypt, and showed her goodness in the active life, by going to Elizabeth, and serving her, and just as She was (like) Martha in the active life, so also she was (like) Mary Magdalene in the contemplative life. Whence in another Gospel is read, “Mary kept all these words in her heart.” (Luke 2, 50) Now these two sisters signify the active life and the contemplative life, which were clearly in the Blessed Virgin Mary, and through them she exaltedly, honorably, and with great delight, received Christ in Herself.” (7.24)

Wednesday, August 14, 2024

The Vigil of the Assumption

In the Roman Rite, the term “vigilia – vigil” traditionally means a penitential day of preparation for a major feast. The Mass of a Saint’s vigil is celebrated after None, as are the Masses of the ferias of Lent or the Ember Days, and in violet vestments; however, the deacon and subdeacon do not wear folded chasubles, as they do in Lent, but the dalmatic and tunicle. The Mass has neither the Gloria nor the Creed, the Alleluja is simply omitted before the Gospel, not replaced with a Tract, and Benedicamus Domino is said at the end in place of Ite, missa est.

Folio 102v of the Gellone Sacramentary, 780 AD; the Mass of the vigil of the Assumption begins with the decorative S just under the middle of the page. The prayers given here are different from those of the Gregorian Sacramentary which are described below. Above it is the Mass of St Eusebius, which is still kept as a commemoration on the vigil to this day. (Bibliothèque nationale de France, Département des Manuscrits, Latin 12048)
The vigil of the Assumption is not attested in the most ancient liturgical books of the Roman Rite, most notably, the oldest form of the Gelasian Sacramentary, ca. 750 AD. It is found in the Gellone Sacramentary only 30 years later, and in all copies of the Gregorian Sacramentary. In the Roman Missal, the Gregorian chant parts are all taken from other Masses of the Virgin Mary. The Introit Vultum tuum is also sung on the Annunciation and at the Votive Mass of the Virgin in Christmastide, which indicates that the salvation of the human person in both body and soul, which God begins to effect in the Incarnation, and which He manifests to the world with His birth, is first perfected when His Mother is assumed into heaven body and soul.


The Epistle is taken from the twenty-fourth chapter of Sirach, in which Wisdom, understood in medieval tradition as a figure of the Virgin Mary, “praises her own self, and is honored in God, ... and among the blessed is blessed, etc.” The verses selected for the vigil are 23-31, the first of which may have been chosen in reference to the tradition that after the Assumption, flowers grew out of the stone floor of the tomb in which the Apostles had laid Her body to rest. “As the vine I have brought forth a pleasant odor: and my flowers are the fruit of honor and riches.” And likewise, the last verse, “They that explain me shall have life everlasting”, points to the Virgin as the first-fruits of mankind’s eternal redemption in Her Son.

The feast of the Assumption was adopted into the Roman Rite from the Byzantine towards the end of the 7th century, under Pope St Sergius I (687-701), who was of Syrian origins, but born and raised in Palermo, Sicily, then part of the Byzantine Empire. In the Byzantine Rite, two separate parts of St Luke’s Gospel are taken together as a single reading at the Divine Liturgy, chapter 10, 38-42, in which the Lord tells Martha that her sister Mary “hath chosen the better part”, and chapter 11, 27-28, in which a woman in the crowd says to Him, “Blessed is the womb that bore thee.” In the Wurzburg lectionary, the oldest of the Roman Rite, which is roughly contemporary with Pope Sergius, these readings are both given for the “birth (into heaven) of St Mary”, but as two separate entries; it may be that they were nevertheless read together as in the Greek tradition. However, the Roman Rite makes almost no use of these kinds of composite readings, and in the second oldest lectionary, that of Murbach, from roughly a century later, the second part has disappeared. Its association with the Assumption was then preserved by assigning it to the vigil.

The most interesting aspect of the Mass is the evolution of its prayers. The collect appears in the Gregorian Sacramentary (ca. 800 AD) in the same form it has in the Missal of St Pius V.

“Deus, qui virginálem aulam beátae Maríae, in qua habitáres, elígere dignátus es: da, quaesumus; ut, sua nos defensióne munítos, jucundos facias suae interesse festivitáti. – O God, Who deigned to choose for Thy dwelling the virginal womb (lit. ‘court’) of the blessed Mary, grant, we beseech Thee, that, protected by Her defense, we may with joy take part in her festival.”

In its original form, the Secret is very unusual in that it contains no petition.

“Magna est, Dómine, apud clementiam tuam Dei Genetrícis oratio: quam idcirco de praesenti saeculo transtulisti; ut pro peccátis nostris apud te fiduciáliter intercédat. – Great before Thy clemency, o Lord, is the prayer of the Mother of God, whom Thou didst transport from this present age for this reason, that She might confidently intercede with Thee for our sins.”

The first part of Mass of the Vigil of the Assumption in the Echternach Sacramentary, 895 AD, with the alteration of the verb “est” to “sit”, as noted below. Note that another scribe, still perhaps worried that the prayer was still not sufficently petitionary, added the words “pro nobis – for us.” (Bibliothèque nationale de France, Département des manuscrits, Latin 9433)
Already by the end of the ninth century, this prayer appears in the Echternach Sacramentary with a very slight emendation; the first verb is changed to the subjunctive, which makes it a petition: “Magna sit… – May the prayer of the Mother of God be great… ” This was evidently still deemed too unlike a typical Secret, and was later emended again to the more conventional form it has in the Tridentine Missal, “Munera nostra … commendet oratio - May the prayer of the Mother of God commend our offerings… ”

It is a well-known fact that although the Church has officially defined the fact of the Virgin Mary’s bodily Assumption, it has never formally pronounced on the question of whether She died first or not. However, the weight of tradition, going back to the very earliest Eastern sources, is very much of the opinion that She did die first. This is explicitly stated in many prayers used on the feast of the Assumption in the West, including the Post-Communion of the vigil in its original form.

“Concéde, miséricors Deus, fragilitáti nostrae praesidium: ut, qui sanctae Dei Genetrícis requiem celebrámus; intercessiónis ejus auxilio, a nostris iniquitátibus resurgámus. – Grant, o merciful God, Thy protection for our frailty, that we who celebrate the repose of the holy Mother of God, may rise again from our iniquities with the help of Her intercession.”

In the context of the Roman Rite, in which the liturgy for the dead repeatedly uses the words “Requiem aeternam dona eis, Domine”, this should certainly be read as an allusion to the belief that the Virgin Mary did in fact die before the Assumption. It also looks forward to the traditional Epistle of the feast itself, Sirach 24, 11-20 (minus verse 14), which begins with the words “In all things I sought rest (requiem), and I shall abide in the inheritance of the Lord.” The editors of the Tridentine Missal, however, decided to take a more neutral stance on a point thitherto undefined, and therefore changed “requiem celebrámus” to “festivitátem praevenímus – look forward to Her festivity.”

The Assumption of the Virgin, ca. 1665, by Juan Martín Cabezalero (1633-73).

Tuesday, August 13, 2024

A Particularly Beautiful Altar Missal from 1863 (Part 1)

Peter recently had the opportunity to see and photograph an especially fine altar missal which is owned by the church of St John Cantius in Chicago. It was printed by the Pustet firm, based in Regensburg, Germany, in 1863, and is remarkable not only for the very large number of images, but the fact that they are in color. (I own a two-volume lectionary which was part of the same print run, and which has many of the same images, but all in black-and-white.) Most of these pictures appeared on his substack Tradition and Sanity a few days ago; I thank him for letting us reproduce them here. (There are definitely enough of these to make more than one post.)

The original binding is very well preserved; the metal knobs in the corners are called bosses, and help to prevent wear and tear on the leather cover.
First title page
Second title page
The order of incensing the oblata...
and the altar.
The beginning of the Temporal cycle, the first Sunday of Advent.
The first Mass of Christmas
The Circumcision
The Epiphany
The first Sunday of Lent
Holy Thursday
Good Friday
Holy Saturday
The Exsultet, with the older style of musical notation which was changed by the reform of the chant begun under St Pius X.
The Ordo Missae
The beginning of the Nativity Preface in the solemn tone.

The Canon
Easter Sunday
The Ascension
A series of very nice decorative footers, inserted to fill out the space left at the end of a page so that it isn’t left blank.

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